26 SEP – 29 DEC 2024
At Lee Kong Chian
Natural History Museum
Temporary Gallery
26 SEP – 29 DEC 2024
At Lee Kong Chian
Natural History Museum
Temporary Gallery
26 SEP – 29 DEC 2024
At Lee Kong Chian Natural History Museum Temporary Gallery
26 SEP – 29 DEC 2024
At Lee Kong Chian
Natural History Museum
Temporary Gallery
DIALOGUES WITH
THE LIVING
DIALOGUES WITH THE LIVING
DIALOGUES WITH THE LIVING
The National University of Singapore presents “The Nature of Things,” at the Lee Kong Chian Natural History Museum, a dialogue with the living through design.
Brought to focus by a curated selection of students’ projects, borne from the NUS Division of Industrial Design, the exhibition offers diverse insights ranging from practical solutions to discursive visions.
The National University of Singapore presents “The Nature of Things,” at the Lee Kong Chian Natural History Museum, a dialogue with the living through design.
Brought to focus by a curated selection of students’ projects, borne from the NUS Division of Industrial Design, the exhibition offers diverse insights ranging from practical solutions to discursive visions.
The National University of Singapore presents “The Nature of Things,” at the Lee Kong Chian Natural History Museum, a dialogue with the living through design.
Brought to focus by a curated selection of students’ projects, borne from the NUS Division of Industrial Design, the exhibition offers diverse insights ranging from practical solutions to discursive visions.
Scenography by,
Leon Pereira & Jocelyn Tan Xin Yee
Scenography by,
Leon Pereira & Jocelyn Tan Xin Yee
Scenography by,
Leon Pereira & Jocelyn Tan Xin Yee
“The Nature of Things” was conceptualised as an exploration of the relationship between nature and human habitats.
“The Nature of Things” was conceptualised as an exploration of the relationship between nature and human habitats.
“The Nature of Things” was conceptualised as an exploration of the relationship between nature and human habitats.
The scenography of the home setting calls forth a juxtaposition between two sides of a window—within human-designed spaces and without, across nature.
The scenography of the home setting calls forth a juxtaposition between two sides of a window—within human-designed spaces and without, across nature.
The scenography of the home setting calls forth a juxtaposition between two sides of a window—within human-designed spaces and without, across nature.
This distinction invites us to re-examine our perceptions and pre-perceptions of cohabitation with nature and its phenomena.
This distinction invites us to re-examine our perceptions and pre-perceptions of cohabitation with nature and its phenomena.
This distinction invites us to re-examine our perceptions and pre-perceptions of cohabitation with nature and its phenomena.
What does it mean to live in a City in Nature? How can we share meaningful space with nature, regardless of the side of the window we find ourselves on?
What does it mean to live in a City in Nature? How can we share meaningful space with nature, regardless of the side of the window we find ourselves on?
What does it mean to live in a City in Nature? How can we share meaningful space with nature, regardless of the side of the window we find ourselves on?
Can we share a living space with nature?
Can we share
a living space
with nature?
Can we share
a living space
with nature?
a community event of
HELD IN
Sponsored by
SUPPORTED by
A COMMUNITY EVENT OF SINGAPORE DESIGN WEEK 2024
a community event of
a community event of
HELD IN
HELD IN
Sponsored by
Sponsored by
Sponsored by
Supported by
SUPPORTed by